Concert reviews

“Eric Lu came and went saying not a word in this eloquent recital, preferring to let his fingers do the talking. Only a stiff formal bow (and perhaps a hint of a smile at the end) acknowledged the enthusiastic audience’s applause. But that was the only thing which was stiff in his fluent performance. In fact, we felt like bystanders – albeit very privileged bystanders – in his conversation with the keyboard, his head often at piano lid level as he hunched over the instrument”

 

ROB ESDAILE ON ERIC LU'S RECITAL, DECEMBER 7, 2019

“No-one attending the concert given by Trio con Brio Copenhagen, could possibly fail to recognise that the publicity concerning their musicianship and technical ability was not overblown or inaccurate. This was a stunning concert. From the beginning of the Haydn, one was aware of the tremendous rapport between players. The music was allowed to flow between instruments; melodies or themes being taken up and passed on with no-one trying to shine as an individual, thus creating a seamless flow  and interchange.  Nevertheless, one could not help being aware of the tremendous technique of the pianist, Jens Elvekjaer, whose sole job seemed to be to dazzle, create and re-create the brilliant lively theme with rapid fingerwork, occasional trills, scale and arpeggio passages which are a feature of this piece”

 

SUZANNE CONNOR ON TRIO CON BRIO

“The Mozart, with three movements: Allegro, Andante and Rondo: Allegro, demonstrated the contrast between the classical style and the romantic style of Schumann. I’m very fond of Mozart’s operas, and some of the symphonies, particularly K550 (No. 40), and the Jupiter, No. 41. All of the canon, of course, displays the composer’s astounding genius in the classical era. The quartet was quieter that the Schumann, naturally, but the skill of the performers was, once again, fully evident, and the audience fully enjoyed it”

 

NIGEL WOODS ON THE PIXELS ENSEMBLE